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Su | Numbra takes its name from two sources:
Sumi-e, the Japanese discipline of ink painting, and Penumbra - the partial shadow, the region between light and dark.
The series lives in the in-between but the charged space where one becomes the other. Each piece is an abstract gesture committed in a single movement - bold diagonal strokes laid down with a loaded brush, dry-brush edges fraying where the ink runs thin. There is no revision and no retreat; the paper keeps exactly what the hand did.
What remains is pure contrast.
Su | Numbra takes its name from two sources:
Sumi-e, the Japanese discipline of ink painting, and Penumbra - the partial shadow, the region between light and dark.
The series lives in the in-between but the charged space where one becomes the other. Each piece is an abstract gesture committed in a single movement - bold diagonal strokes laid down with a loaded brush, dry-brush edges fraying where the ink runs thin. There is no revision and no retreat; the paper keeps exactly what the hand did.
What remains is pure contrast.
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